Ferras) Deutsche Grammophon: Berlinġ971Ē5th September (B.P.O. The Sibelius scholar and biographer Erik Tawaststjerna inscribed the following dedication in Karajan's copy of his book:ġ976 September - October (B.P.O.) EMI: Berlinġ952Ē9th - 31st July (Philharmonia) Columbia: Londonġ953đ1th April (RAI Turin) Radio Broadcast: Turinġ959ĕth - 6th January (Philharmonia) Columbia: Londonġ964Ē8th October (B.P.O.) Deutsche Grammophon: Berlinġ965đ6th May (B.P.O.) Radio Broadcast: Helsinkiġ976 September - December (B.P.O.) EMI: Berlinġ976đ6th October (B.P.O.) Radio Broadcast: Berlin Click to hear short extract.ġ984đ9th - 24th February (B.P.O.) Deutsche Grammophon: Berlinġ982Ē7th January - 18th February (B.P.O.) Deutsche Grammophon: Berlinġ965đ8th - 21st September (B.P.O.) Deutsche Grammophon: Berlinġ984đ9th - 24th February(B.P.O.) Deutsche Grammophon: Berlinġ960Ē8th - 29th March (Philharmonia) Columbia: Londonġ980đ6th - 17th November (B.P.O.) EMI: Berlinġ953Ėth - 7th July (Philharmonia) Columbia: Londonġ965Ē6th February - 12th May (B.P.O.) Deutsche Grammophon: Berlinġ976Ē7th - 29th December (B.P.O.) EMI: Berlinġ978Ē8th January (B.P.O.) Radio Broadcast: Berlinġ949ĕth October (Stockholm Philharmonic) BIS: Stockholm Note: Third movement only.ġ951đst December (Philharmonia) Columbia: London Note: Recording completed on 29th July 1952.ġ957Ē4th May (B.P.O.) Radio Broadcast: Berlinġ960Ē0th - 23rd September (Philharmonia) Columbia: Londonġ965Ē2nd - 24th February (B.P.O.) Deutsche Grammophon: Berlinġ977ē1st August (B.P.O.) Radio Broadcast: Lucerneġ955Ĕth - 5th July (Philharmonia) Columbia: Londonġ967đ8th April (B.P.O.) Deutsche Grammophon: Berlinġ980đ6th - 20th November (B.P.O.) EMI: Berlinġ955ĕth - 6th July (Philharmonia) Columbia: Londonġ967Ē0th - 21st September (B.P.O.) Deutsche Grammophon: Berlinġ953đ4th - 15th July (Philharmonia) Columbia: Londonġ964ē0th October (B.P.O.) Deutsche Grammophon: Berlinġ958đ6th January (Philharmonia) Columbia: Londonġ967ē0th January (B.P.O.) Deutsche Grammophon: Berlinġ972đst January (B.P.O.) Radio Broadcast: Berlinġ978Ē4th June (B.P.O.) Television Broadcast: Parisġ983 31st December (B.P.O.) Sony (Film): Berlinġ964Ē9th - 30th October (B.P.O. Of the sound world of the Finnish landscape. Although he never conducted the Third symphony, the later symphonies and the tone poem 'Tapiola' fascinated him as music which evolved organically out So began a life-long enthusiam for the Finnish composer's work which Karajan always felt could never be compared to the music In 1938 the Head of Swedish Radio had invited Karajan to conduct the Sixth Symphony in Stockholm and the performance by the 30 year old General Music Directorįrom Aachen had been widely admired. (he was writing in the 1950's) he was the one who had the greatest feeling for his music. The composer himself described Karajan as a 'great master' and felt that of the younger generation of conductors

When it was rarely played in continental Europe. Herbert von Karajan was known as an advocate of Sibelius's music in the 1940's and early 1950's

Sibelius 5 th symohony 3rd movement